在洛达纳·卡弗尔，人们不敢直呼它的名字，因为名字是平辈之间的称呼，而它从不与任何人平辈。它们唤它”上面那位”——可这并不准确，它既在上面，也在下面，唯独不在你的对面。
声明： 来自猫的声明：欢迎来到洛达纳·卡弗尔农场（Rodana Kafer Farm），这个地方是猫和老鼠的温馨大家庭，这里有三十多只来自世界各地的老鼠（没有拿这个标榜自己的意思）我们是多样化的大集体。我们不是血汗工厂，我们是相亲相爱、相互支持的一家人。所有老鼠都对这些规则毫无意见，举起双手双脚表示支持，它们最大程度上展现了鼠鼠之间的相互支持与爱护。我们的章程是清晰而简单的，我们也不搞大工厂那一套改造和进化的系统，在我们这里，所有老鼠都是平等的，所有人都是农场的专家和领导者。 A Statement from the Cat Welcome to Rodana Kafer Farm, a warm and loving family home for both cats and mice! We are a diverse collective, proudly housing over thirty mice from around the world (and we don’t feel the need to boast about it). We are not a sweatshop; we […]
谁是解云？
Jeyun (Sound: /ˈjejʊn/ Written: Jത ) = 解：”Jie/Je/J” + 云：”Cloud”
I’ve been asked to “explain yourself in one sentence” but keep getting “it’s not specific enough” all the time, being asked to explain again and again about the detail. I’m 100% sure I can explain each piece of my work in one sentence, but being specific about myself is almost impossible and paradoxical. I just […]
Abstract This article explores the dominance of ocular-centric culture in art, design, and architecture, which often overshadows non-visual forms of participation. This bias extends its influence into sound and music, traditionally limiting audience interactivity and reinforcing a linear, static mindset. The widespread acceptance of this sensory bias, both by audiences and creators within the industry, […]
Intro This is a story about deviations, errors, and recursions. In late 2018, when I was preparing my portfolio for master degree, I was thinking about a question – it’s a common thing when we consider issues in a perfect condition and introduce imperfections later as we move into physical world. Errors are always defined […]
Architecture education, architectural design, media, and digital fabrication—these domains, though part of a cohesive system, often appear disconnected from one another. The gap between architectural education and practical reality widens due to the constraints of traditional mediums and tools. While education claims to prepare future architects, students may spend decades achieving professional competence. The tools […]
2019 深港城市/建筑双城双年展 无名之城 作者：陈娱， 吴岩，谢雨帆 展览时间： 2019.12.22 – 2020.03.08 深圳市当代艺术与城市规划馆 – 城市升维 – 无名之城（D20) 《九城万未》描绘人类如何为了将城市的占地交还给大自然，把地球重新变成一个回归自然之星体的探索过程。故事的主人公在经历了多个迷人却烦恼的季节之后，终于找到了这种回归的方式，同时也发展起能在一瞬间将城市压缩、传送、铺陈到新星球上新地点的方法。虽然只是一个短篇小说，但内容却不啻为人与建筑、与城市关系的百科全书，无数种无法描述的城市形态和未知生物在小说中轮替出现。 《无名之城》受《九城万未》激发，展现了四组完全属于未来的城市的超级形态，这些形态有的完全不符合物理学的基本规则，能自由潜入地下、或者急驰到无垠的天空，有的能依附在其他生物的体内。在故事中的“水晶季”，地球奔向永恒之前的最后一个季节到来的时候，大地上人工制造的万物都开始真正的收缩，褪色，趋于透明……城市中的人，属于我们这一代的人类，也将伴随这种过程永远地逝去。但逝去并不意味着死亡。恰恰相反，它是一种诞生。新的自然-人之关系，新的城市-建筑之形式，将在宇宙的其他地方被自然地创造出来。
“GAP +” Architectures of Sound 2019 CAFA SoA A9 Studio Graduate Design, 1st Award 2019 China 8+ Joint Graduate Design “Kulangsu Project” 2020 Gensler Diversity Scholarship 2020 YTAA Asia (Young Talent Architect Award) Shortlisted Instructor: Yufang Zhou, Huanyu Wang, Wendong Wang, Zigeng Wang Designer: Jeyun This project explores the mixing mechanism of sonic space. By […]
This is a brief research project during my Bachelor graduate design. I worked on several derivatives of Binary Tree algorithm, which was implemented to generate grid system for my project “GAP+”(https://jeyun.cloud/gap/).
Self-organizing is a generative project I launched since 2017 September. The whole system is based on 4 basic behaviours – growth and death abstracted from DLA system, as well as repelling and attracting abstracted from Differential Growth. Behaviors are applied to particles according to density. It’s a hybrid system of basic behaviors, which produce diversified […]
Intro About in 2016, accidently by a workshop held in CAFA, Chritoph Klemmt presented his research on Cell Based Venation Systems and works from Andy Lomas and Deskriptiv, since then I was deeply attracted by generative form and beauty of self-organizing – in which Differential Growth – a typical algorithm took far-reaching impact on my […]
